I’ve been unsure for a while whether to post on Land Observations or not. It’s certainly history related but it wasn’t obvious what I could really add about it when some of my favourite music writers (and the artist himself) have already covered the topic so well. I also feel a bit pretentious and amateurish writing about music, though I’m sure everyone starts out that way. There’s a huge amount of music writing out there: some good, some not so good. In my opinion, some of the best music journalism in recent years has come from the website The Quietus, and it is there that I first read about and heard Land Observations. Funnily enough, it’s also there that inspired me to finally write this post – having just saw an article on their new album (linked at the bottom of this post).
The Mary Rose Museum
Just a quick post here. I was down at the historic dockyard in Portsmouth at the weekend. They have some great tourist attractions there: HMS Victory, HMS Warrior, The Mary Rose, harbour tours and about half a dozen museums – I got a season ticket and will certainly be back in the future. I just thought I’d post this photo from the Mary Rose Museum.
I was walking through Headington in the north east of Oxford the other day, passing some time before the time came for my reservation at the Black Boy gastropub (that makes me sound terribly posh), and came across an old church – St Andrews. The graveyard in front was a bit of a mix of stones, some newer ones from the early twentieth or late nineteenth century at the end and older, lichen covered, barely legible ones closer to the church. One of the gravestones stood out as being a clean, clear carving. Looking at the epitaph, it had the riddle-like one below.
Who to ye king did belong
He lived to be old
And yet dyed young