As I often do, I skipped the preface to this book and went straight into the main text. Because of that, it was only about half way through that I realised Neil Faulkner was a Marxist – all the references to class war finally started to make sense.
In this book, actually charting the whole history of the Romans in Britain, this approach has advantages and disadvantages. Roman society was undeniably full of inequality and, in an otherwise dry book, Faulkner does succeed in bringing that to life. His descriptions of the settlements, showing the disparity in wealth, are bolstered by plenty of archaeological evidence. His explanation of the effects of Diocletian’s economic reforms is much more vivid that I’d thought the history of taxation could be.
On the downside, his conclusion, that the end of Roman Britain would let a peasant revolt kick out the landlords and live a brief but ideal agrarian society before the Saxon warlords moved in, comes across as far fetched and lacking any real basis to back it up. His descriptions of the Roman empire outside of Britain are short and one-sided, mostly existing to show either Britain’s role in the empire or the inequality in the system.
I’m not as well read on Roman Britain as I should be, but this stands as an interesting if occasionally uneven take on that particular fringe of the Empire. Worth reading, but perhaps best balanced with an alternative point of view.
I’ve read a few of Michael Grant‘s books now, and this one begins in typical fashion. Grant gives a brief overview of the history of the period (in this case, the Roman Empire from Marcus Aurelius to Constantine) before discussing the changes in architecture and art during that era. His thesis is that the third century, often seen as nothing more than a period of military emperors, chaos and decline, is in fact a fascinating series of gradual changes – and not necessarily for the worse.
The first part of the Climax of Rome is a bit of a mixed bag. The changes in artistic style are interesting, but the chapters come across as slightly disjointed with sudden jumps between eras (the book does cover a long period of time). The military and political history (often the focus in this period) is rather skimmed over. This all comes to make sense later.
The book really shines is the second half, when Grant gets onto the topic of philosophy, literature and religion. He traces developments in style and genre, and manages to link them to the political situation. In the face of ever more authoritarian government, the culture drifted towards more personal, self-reflective styles – Marcus Aurelius’ stoicism, Galen, the neo-platonic thought of Plotinus, early Christian thinkers, and the rise of the novel as an artform.
This was, in a sense, a form of climax for classical culture, in not necessarily a high point. Alongside this, the success of legal writers in the 3rd century and developments in architecture would lay the groundwork for medieval Europe. Was this the true peak of the Roman empire? Grant admits this would have been a “gloomy place for the majority” and far from an egalitarian or democratic society, and the succession of military crises would make it hard to see the 3rd century (or even the revival under Diocletian and Constantine) as a military high point. Yet, this period is hugely influential in the move out of the Classical world and into Medieval Christendom and I will definitely be looking for further reading on the subject.
Valens has a poor reputation as a Roman Emperor. Given that he presided over the disaster at Adrianople, this is understandable. This book goes some way to suggesting that although he could never be classed as a great emperor, he was a competent man who momentarily lost control.
The book starts at the last days of Julian’s reign and runs through the rule of Valentian I and his brother Valens. Throughout most of the book Hughes takes a methodical, almost annalistic, approach. The military campaigns and major events of each year are briefly described. This is quite a dry style, but it does pay off when the author begins to draw conclusions later in the book. The battle of Adrianople, and the campaign around it, is covered in more detail in the last few chapters.
Continue reading Imperial Brothers by Ian Hughes